The incontrovertible fact that the Dead Space builders made a sport based mostly on Dante Aligheri’s The Divine Comedy is bizarre sufficient, even with out occupied with the movement capped, unbaptised kids that face you in your descent to hell.
Monstrous kids have been one thing of a motif for Visceral Games, that includes within the Dead Space franchise and Dante’s Inferno. Equipped with sword-like appendages, the demonic kids of Dante’s Inferno coo, giggle and cry like the true factor mid-fight. Even for a game revelling in gratuity, their inclusion is very morbid.
These visible qualities are solely compounded while you combat them. While a single waddling toddler isn’t too onerous to dispatch, Visceral normally throw them at you in hordes. This multiplication provides to each the shock issue and problem concerned. Dante’s scythe has loads of attain, however it solely takes one stray hit to spoil a combo.
Some creepier elements of the character design concerned are credited to Wayne Barlowe, an American science fiction and fantasy artist who was contracted on for the undertaking.
“One of Wayne’s great contributions to the whole character design was bringing in the umbilical cord and placenta. It was super creepy and very Wayne Barlowe,” stated Ash Huang, artwork director for Dante’s Inferno.
For these unfamiliar, a central Christian conceit across the time of The Divine Comedy was the concept that unbaptised kids could be despatched to Limbo, a particular a part of the afterlife.
Since Limbo can be the primary circle of hell, you go to it pretty early in Dante’s Inferno. Visceral wished to make the expertise of operating into your first horde of unbaptised kids notably memorable for gamers. Naturally, the staff went to weird lengths to make these limbo-bound toddlers feel authentic.
Jonathan Knight, Dante’s Inferno’s govt producer, truly introduced his personal baby into the movement seize studio to make the motion of the creature a little bit extra plausible.
Over a decade later, Knight says the sequence was born from a want to make use of movement seize to deliver the assorted creatures of Dante’s Inferno to life in new and inventive methods.
“I knew we would need a really creepy introduction sequence for the baby. I had an eighteen-month-old toddler at the time, and I was intimately familiar with the unique way in which toddlers walk. And I just thought– let’s motion capture him,” he stated.
“I think I knew that I wasn’t going to get away with it unless I used my own child. I didn’t see putting this out as a casting call! As I recall, it raised a few eyebrows with the legal team, and they scrambled to get all the necessary papers signed.”
Knight says that the staff at Los Angeles’ House of Moves have been thrilled to do a movement seize session that was exterior their regular routine.
“They had never done mo-cap on an actor that young, so it was a true first for them – in either film or video games. They immediately went into problem-solving mode, and helped us figure out how to suit up the little guy. They were very kind and patient with him.”
“In the end, he loved the attention and his Mom was there, so he took it all in stride and the day went quite smoothly. I think it was fun for the other actors too; something different.”
However, Knight added that not everybody beloved the truth that it ended up being made right into a bonus featurette.
“I wasn’t trying to promote my family or anything like that,” the manager producer defined. “I just thought it was a really cool, creative thing we’d done, and wanted to share the process and the footage of a kid in the mocap suit!”
Knight nonetheless thinks it paid off, noting that “that unique toddler waddle really comes through in the final scene.”
“I’m sure our talented animators could have achieved something great without that data, but there’s a reason why we do motion capture, and I think this one worked quite well.”
While Knight’s son is each too younger to have recollections of the movement seize session itself and to see his personal efficiency in Dante’s Inferno, he does love video video games, particularly Fortnite.
“We mention it from time to time, at parties or whatever, and he usually smiles about it,” Knight stated.
“I do think he’ll get a kick out of it a little later in life. We saved his motion capture suit; it’s in a box in the garage,” he provides.
While Dante’s Inferno was by no means remastered for contemporary consoles, the sport remains to be available to play on Xbox via the magic of backwards compatibility. It even made its manner onto Game Pass a number of months again by way of Microsoft’s partnership with EA Play.